Antony and Cleopatra, Act 1 Scene 1 runs 69 lines of dialogue, spoken by 5 speakers. That is shorter than the play’s average scene length of about 85 lines. This scene is part of Act 1 of Antony and Cleopatra.
Full Dialogue
Philo ♂
Nay, but this dotage of our general's
O'erflows the measure: those his goodly eyes,
That o'er the files and musters of the war
Have glow'd like plated Mars, now bend, now turn,
The office and devotion of their view
Upon a tawny front: his captain's heart,
Which in the scuffles of great fights hath burst
The buckles on his breast, reneges all temper,
And is become the bellows and the fan
To cool a gipsy's lust.
Look, where they come:
Take but good note, and you shall see in him.
The triple pillar of the world transform'd
Into a strumpet's fool: behold and see.
O'erflows the measure: those his goodly eyes,
That o'er the files and musters of the war
Have glow'd like plated Mars, now bend, now turn,
The office and devotion of their view
Upon a tawny front: his captain's heart,
Which in the scuffles of great fights hath burst
The buckles on his breast, reneges all temper,
And is become the bellows and the fan
To cool a gipsy's lust.
Look, where they come:
Take but good note, and you shall see in him.
The triple pillar of the world transform'd
Into a strumpet's fool: behold and see.
Cleopatra ♀
If it be love indeed, tell me how much.
Mark Antony ♂
There's beggary in the love that can be reckon'd.
Cleopatra ♀
I'll set a bourn how far to be beloved.
Mark Antony ♂
Then must thou needs find out new heaven, new earth.
Attendant ♂
News, my good lord, from Rome.
Mark Antony ♂
Grates me: the sum.
Cleopatra ♀
Nay, hear them, Antony:
Fulvia perchance is angry; or, who knows
If the scarce-bearded Caesar have not sent
His powerful mandate to you, 'Do this, or this;
Take in that kingdom, and enfranchise that;
Perform 't, or else we damn thee.'
Fulvia perchance is angry; or, who knows
If the scarce-bearded Caesar have not sent
His powerful mandate to you, 'Do this, or this;
Take in that kingdom, and enfranchise that;
Perform 't, or else we damn thee.'
Mark Antony ♂
How, my love!
Cleopatra ♀
Perchance! nay, and most like:
You must not stay here longer, your dismission
Is come from Caesar; therefore hear it, Antony.
Where's Fulvia's process? Caesar's I would say? both?
Call in the messengers. As I am Egypt's queen,
Thou blushest, Antony; and that blood of thine
Is Caesar's homager: else so thy cheek pays shame
When shrill-tongued Fulvia scolds. The messengers!
You must not stay here longer, your dismission
Is come from Caesar; therefore hear it, Antony.
Where's Fulvia's process? Caesar's I would say? both?
Call in the messengers. As I am Egypt's queen,
Thou blushest, Antony; and that blood of thine
Is Caesar's homager: else so thy cheek pays shame
When shrill-tongued Fulvia scolds. The messengers!
Mark Antony ♂
Let Rome in Tiber melt, and the wide arch
Of the ranged empire fall! Here is my space.
Kingdoms are clay: our dungy earth alike
Feeds beast as man: the nobleness of life
Is to do thus; when such a mutual pair
And such a twain can do't, in which I bind,
On pain of punishment, the world to weet
We stand up peerless.
Of the ranged empire fall! Here is my space.
Kingdoms are clay: our dungy earth alike
Feeds beast as man: the nobleness of life
Is to do thus; when such a mutual pair
And such a twain can do't, in which I bind,
On pain of punishment, the world to weet
We stand up peerless.
Cleopatra ♀
Excellent falsehood!
Why did he marry Fulvia, and not love her?
I'll seem the fool I am not; Antony
Will be himself.
Why did he marry Fulvia, and not love her?
I'll seem the fool I am not; Antony
Will be himself.
Mark Antony ♂
But stirr'd by Cleopatra.
Now, for the love of Love and her soft hours,
Let's not confound the time with conference harsh:
There's not a minute of our lives should stretch
Without some pleasure now. What sport tonight?
Now, for the love of Love and her soft hours,
Let's not confound the time with conference harsh:
There's not a minute of our lives should stretch
Without some pleasure now. What sport tonight?
Cleopatra ♀
Hear the ambassadors.
Mark Antony ♂
Fie, wrangling queen!
Whom every thing becomes, to chide, to laugh,
To weep; whose every passion fully strives
To make itself, in thee, fair and admired!
No messenger, but thine; and all alone
To-night we'll wander through the streets and note
The qualities of people. Come, my queen;
Last night you did desire it: speak not to us.
Whom every thing becomes, to chide, to laugh,
To weep; whose every passion fully strives
To make itself, in thee, fair and admired!
No messenger, but thine; and all alone
To-night we'll wander through the streets and note
The qualities of people. Come, my queen;
Last night you did desire it: speak not to us.
Demetrius ♂
Is Caesar with Antonius prized so slight?
Philo ♂
Sir, sometimes, when he is not Antony,
He comes too short of that great property
Which still should go with Antony.
He comes too short of that great property
Which still should go with Antony.
Demetrius ♂
I am full sorry
That he approves the common liar, who
Thus speaks of him at Rome: but I will hope
Of better deeds to-morrow. Rest you happy!
That he approves the common liar, who
Thus speaks of him at Rome: but I will hope
Of better deeds to-morrow. Rest you happy!
69 lines rendered verbatim from the dialogue corpus.
Who’s On Stage
Speaking characters in this scene
| Character | Lines | Share |
|---|---|---|
| Mark Antony | 25 | 36.2% |
| Cleopatra | 21 | 30.4% |
| Philo | 17 | 24.6% |
| Demetrius | 5 | 7.2% |
| Attendant | 1 | 1.4% |
Line distribution
The top speaker in this scene delivers 25 lines, while the scene’s average per speaker is about 14 lines.
Total speakers on stage
5 named characters speak in this scene.
Scene in Context
Position within Act 1
This is Scene 1 of 5 in Act 1 of Antony and Cleopatra.
Scene length vs. play average
At 69 lines, this scene is shorter than the Antony and Cleopatra average scene in Antony and Cleopatra (~85 lines).
Adjacent scenes
Next: Act 1 Scene 2
About Act 1 Scene 1 of Antony and Cleopatra
Who carries Act 1 Scene 1 of Antony and Cleopatra?
Mark Antony, with 25 lines — about 36% of the scene.
Is the scene a dialogue or a solo?
With 5 speakers and the lead holding 36% of the lines, this scene is a balanced multi-voice exchange.