Shakespeare’s Creative Periods
Across a 22-year career (from 1591 to 1613), Shakespeare wrote 37 plays totaling 108,093 lines. Modern scholarship divides this output into three creative periods — Early, Middle, and Late — based on compose-date estimates from Open Source Shakespeare.
Career Timeline, Play by Play
| Year | Play | Genre | Period | Lines |
|---|---|---|---|---|
| Early Period · Shakespeare’s early years | ||||
| c. 1591 | Henry VI, part 2 | History | Early | 3,122 |
| c. 1591 | Henry VI, part 3 | History | Early | 2,931 |
| c. 1591 | Two Gentlemen of Verona | Comedy | Early | 2,234 |
| c. 1592 | Henry VI, part 1 | History | Early | 2,761 |
| c. 1592 | Taming of the Shrew | Comedy | Early | 2,637 |
| c. 1593 | Richard III | History | Early | 3,702 |
| c. 1594 | The Comedy of Errors | Comedy | Early | 1,962 |
| c. 1594 | Titus Andronicus | Tragedy | Early | 2,553 |
| c. 1595 | Love's Labours Lost | Comedy | Early | 2,862 |
| c. 1595 | Richard II | History | Early | 2,800 |
| c. 1595 | Romeo and Juliet | Tragedy | Early | 3,079 |
| Middle Period · Shakespeare’s middle years | ||||
| c. 1596 | A Midsummer Night's Dream | Comedy | Middle | 2,159 |
| c. 1596 | King John | History | Middle | 2,648 |
| c. 1597 | Henry IV, part 1 | History | Middle | 3,038 |
| c. 1597 | The Merchant of Venice | Comedy | Middle | 2,665 |
| c. 1598 | Henry IV, part 2 | History | Middle | 3,251 |
| c. 1599 | As You Like It | Comedy | Middle | 2,676 |
| c. 1599 | Henry V | History | Middle | 3,230 |
| c. 1599 | Julius Caesar | Tragedy | Middle | 2,599 |
| c. 1599 | Much Ado About Nothing | Comedy | Middle | 2,583 |
| c. 1600 | Hamlet | Tragedy | Middle | 4,023 |
| c. 1601 | The Merry Wives of Windsor | Comedy | Middle | 2,615 |
| c. 1601 | Twelfth Night | Comedy | Middle | 2,483 |
| c. 1602 | Troilus and Cressida | Problem play | Middle | 3,456 |
| c. 1603 | All's Well That Ends Well | Problem play | Middle | 2,925 |
| Late Period · Shakespeare’s late years | ||||
| c. 1604 | Measure for Measure | Problem play | Late | 2,833 |
| c. 1604 | Othello | Tragedy | Late | 3,558 |
| c. 1605 | King Lear | Tragedy | Late | 3,499 |
| c. 1606 | Antony and Cleopatra | Tragedy | Late | 3,565 |
| c. 1606 | Macbeth | Tragedy | Late | 2,385 |
| c. 1607 | Timon of Athens | Tragedy | Late | 2,451 |
| c. 1608 | Coriolanus | Tragedy | Late | 3,761 |
| c. 1608 | Pericles, Prince of Tyre | Romance | Late | 2,416 |
| c. 1610 | Cymbeline | Romance | Late | 3,755 |
| c. 1611 | The Tempest | Romance | Late | 2,278 |
| c. 1611 | Winter's Tale | Romance | Late | 3,362 |
| c. 1613 | Henry VIII | History | Late | 3,236 |
How Each Period Reads
Early (1591–1595 · 11 plays)
The early years are Shakespeare’s apprenticeship — early comedies and the first history tetralogy. Shorter plays, formal verse, tighter emotional range. Opening examples: Henry VI, part 2, Henry VI, part 3, Two Gentlemen of Verona, Henry VI, part 1. The longest play of the period is Richard III (3,702 lines); the shortest is The Comedy of Errors (1,962 lines). See the full early archive →
Middle (1596–1603 · 14 plays)
The middle years are Shakespeare’s peak comedies and the transition into the great tragedies. Longer plays, looser verse, deeper characterization. Opening examples: A Midsummer Night's Dream, King John, Henry IV, part 1, The Merchant of Venice. The longest play of the period is Hamlet (4,023 lines); the shortest is A Midsummer Night's Dream (2,159 lines). See the full middle archive →
Late (1604–1613 · 12 plays)
The late years are Shakespeare’s the major tragedies and the final romances. Complex structure, reflective themes, pastoral endings. Opening examples: Measure for Measure, Othello, King Lear, Antony and Cleopatra. The longest play of the period is Coriolanus (3,761 lines); the shortest is The Tempest (2,278 lines). See the full late archive →