Mitarai Digital Folio

Antony and Cleopatra, Act 4 Scene 14

170Lines 9Speakers

Antony and Cleopatra, Act 4 Scene 14 runs 170 lines of dialogue, spoken by 9 speakers. That is longer than the play’s average scene length of about 85 lines. This scene is part of Act 4 of Antony and Cleopatra.


Full Dialogue
Mark Antony
Eros, thou yet behold'st me?
Eros
Ay, noble lord.
Mark Antony
Sometimes we see a cloud that's dragonish;
A vapour sometime like a bear or lion,
A tower'd citadel, a pendent rock,
A forked mountain, or blue promontory
With trees upon't, that nod unto the world,
And mock our eyes with air: thou hast seen
these signs;
They are black vesper's pageants.
Eros
Ay, my lord,
Mark Antony
That which is now a horse, even with a thought
The rack dislimns, and makes it indistinct,
As water is in water.
Eros
It does, my lord.
Mark Antony
My good knave Eros, now thy captain is
Even such a body: here I am Antony:
Yet cannot hold this visible shape, my knave.
I made these wars for Egypt: and the queen,–
Whose heart I thought I had, for she had mine;
Which whilst it was mine had annex'd unto't
A million more, now lost,–she, Eros, has
Pack'd cards with Caesar, and false-play'd my glory
Unto an enemy's triumph.
Nay, weep not, gentle Eros; there is left us
Ourselves to end ourselves.
O! thy vile lady!
She has robb'd me of my sword.
Mardian
No, Antony;
My mistress loved thee, and her fortunes mingled
With thine entirely.
Mark Antony
Hence, saucy eunuch; peace!
She hath betray'd me and shall die the death.
Mardian
Death of one person can be paid but once,
And that she has discharged: what thou wouldst do
Is done unto thy hand: the last she spake
Was 'Antony! most noble Antony!'
Then in the midst a tearing groan did break
The name of Antony; it was divided
Between her heart and lips: she render'd life,
Thy name so buried in her.
Mark Antony
Dead, then?
Mardian
Dead.
Mark Antony
Unarm, Eros; the long day's task is done,
And we must sleep.
That thou depart'st hence safe,
Does pay thy labour richly; go.
Off, pluck off:
The seven-fold shield of Ajax cannot keep
The battery from my heart. O, cleave, my sides!
Heart, once be stronger than thy continent,
Crack thy frail case! Apace, Eros, apace.
No more a soldier: bruised pieces, go;
You have been nobly borne. From me awhile.
I will o'ertake thee, Cleopatra, and
Weep for my pardon. So it must be, for now
All length is torture: since the torch is out,
Lie down, and stray no farther: now all labour
Mars what it does; yea, very force entangles
Itself with strength: seal then, and all is done.
Eros!–I come, my queen:–Eros!–Stay for me:
Where souls do couch on flowers, we'll hand in hand,
And with our sprightly port make the ghosts gaze:
Dido and her AEneas shall want troops,
And all the haunt be ours. Come, Eros, Eros!
Eros
What would my lord?
Mark Antony
Since Cleopatra died,
I have lived in such dishonour, that the gods
Detest my baseness. I, that with my sword
Quarter'd the world, and o'er green Neptune's back
With ships made cities, condemn myself to lack
The courage of a woman; less noble mind
Than she which by her death our Caesar tells
'I am conqueror of myself.' Thou art sworn, Eros,
That, when the exigent should come, which now
Is come indeed, when I should see behind me
The inevitable prosecution of
Disgrace and horror, that, on my command,
Thou then wouldst kill me: do't; the time is come:
Thou strikest not me, 'tis Caesar thou defeat'st.
Put colour in thy cheek.
Eros
The gods withhold me!
Shall I do that which all the Parthian darts,
Though enemy, lost aim, and could not?
Mark Antony
Eros,
Wouldst thou be window'd in great Rome and see
Thy master thus with pleach'd arms, bending down
His corrigible neck, his face subdued
To penetrative shame, whilst the wheel'd seat
Of fortunate Caesar, drawn before him, branded
His baseness that ensued?
Eros
I would not see't.
Mark Antony
Come, then; for with a wound I must be cured.
Draw that thy honest sword, which thou hast worn
Most useful for thy country.
Eros
O, sir, pardon me!
Mark Antony
When I did make thee free, sworest thou not then
To do this when I bade thee? Do it at once;
Or thy precedent services are all
But accidents unpurposed. Draw, and come.
Eros
Turn from me, then, that noble countenance,
Wherein the worship of the whole world lies.
Mark Antony
Lo thee!
Eros
My sword is drawn.
Mark Antony
Then let it do at once
The thing why thou hast drawn it.
Eros
My dear master,
My captain, and my emperor, let me say,
Before I strike this bloody stroke, farewell.
Mark Antony
'Tis said, man; and farewell.
Eros
Farewell, great chief. Shall I strike now?
Mark Antony
Now, Eros.
Eros
Why, there then: thus I do escape the sorrow
Of Antony's death.
Mark Antony
Thrice-nobler than myself!
Thou teachest me, O valiant Eros, what
I should, and thou couldst not. My queen and Eros
Have by their brave instruction got upon me
A nobleness in record: but I will be
A bridegroom in my death, and run into't
As to a lover's bed. Come, then; and, Eros,
Thy master dies thy scholar: to do thus
I learn'd of thee. How! not dead? not dead?
The guard, ho! O, dispatch me!
First Guard
What's the noise?
Mark Antony
I have done my work in, friends: O, make an end
Of what I have begun.
Second Guard
The star is fall'n.
First Guard
And time is at his period.
All
Alas, and woe!
Mark Antony
Let him that loves me strike me dead.
First Guard
Not I.
Second Guard
Nor I.
Third Guard
Nor any one.
Dercetas
Thy death and fortunes bid thy followers fly.
This sword but shown to Caesar, with this tidings,
Shall enter me with him.
Diomedes
Where's Antony?
Dercetas
There, Diomed there.
Diomedes
Lives he?
Wilt thou not answer, man?
Mark Antony
Art thou there, Diomed? Draw thy sword, and give me
Sufficing strokes for death.
Diomedes
Most absolute lord,
My mistress Cleopatra sent me to thee.
Mark Antony
When did she send thee?
Diomedes
Now, my lord.
Mark Antony
Where is she?
Diomedes
Lock'd in her monument. She had a prophesying fear
Of what hath come to pass: for when she saw–
Which never shall be found–you did suspect
She had disposed with Caesar, and that your rage
Would not be purged, she sent you word she was dead;
But, fearing since how it might work, hath sent
Me to proclaim the truth; and I am come,
I dread, too late.
Mark Antony
Too late, good Diomed: call my guard, I prithee.
Diomedes
What, ho, the emperor's guard! The guard, what, ho!
Come, your lord calls!
Mark Antony
Bear me, good friends, where Cleopatra bides;
'Tis the last service that I shall command you.
First Guard
Woe, woe are we, sir, you may not live to wear
All your true followers out.
All
Most heavy day!
Mark Antony
Nay, good my fellows, do not please sharp fate
To grace it with your sorrows: bid that welcome
Which comes to punish us, and we punish it
Seeming to bear it lightly. Take me up:
I have led you oft: carry me now, good friends,
And have my thanks for all.
170 lines rendered verbatim from the dialogue corpus.

Who’s On Stage

Speaking characters in this scene

Character Lines Share
Mark Antony 110 64.7%
Eros 18 10.6%
Diomedes 16 9.4%
Mardian 12 7.1%
First Guard 5 2.9%
Dercetas 4 2.4%
Second Guard 2 1.2%
All 2 1.2%
Third Guard 1 0.6%

Line distribution

The top speaker in this scene delivers 110 lines, while the scene’s average per speaker is about 19 lines.

Total speakers on stage

9 named characters speak in this scene.

Scene in Context

Position within Act 4

This is Scene 14 of 15 in Act 4 of Antony and Cleopatra.

Scene length vs. play average

At 170 lines, this scene is longer than the Antony and Cleopatra average scene in Antony and Cleopatra (~85 lines).

Adjacent scenes

Previous: Act 4 Scene 13 · Next: Act 4 Scene 15

About Act 4 Scene 14 of Antony and Cleopatra

Who carries Act 4 Scene 14 of Antony and Cleopatra?

Mark Antony, with 110 lines — about 65% of the scene.

Is the scene a dialogue or a solo?

With 9 speakers and the lead holding 65% of the lines, this scene is a showcase for the lead voice.