Mitarai Digital Folio

Richard III, Act 3 Scene 4

111Lines 7Speakers

Richard III, Act 3 Scene 4 runs 111 lines of dialogue, spoken by 7 speakers. That is shorter than the play’s average scene length of about 148 lines. This scene is part of Act 3 of Richard III.


Full Dialogue
Hastings
My lords, at once: the cause why we are met
Is, to determine of the coronation.
In God's name, speak: when is the royal day?
Buckingham
Are all things fitting for that royal time?
Derby
It is, and wants but nomination.
Bishop Of Ely
To-morrow, then, I judge a happy day.
Buckingham
Who knows the lord protector's mind herein?
Who is most inward with the royal duke?
Bishop Of Ely
Your grace, we think, should soonest know his mind.
Buckingham
Who, I, my lord I we know each other's faces,
But for our hearts, he knows no more of mine,
Than I of yours;
Nor I no more of his, than you of mine.
Lord Hastings, you and he are near in love.
Hastings
I thank his grace, I know he loves me well;
But, for his purpose in the coronation.
I have not sounded him, nor he deliver'd
His gracious pleasure any way therein:
But you, my noble lords, may name the time;
And in the duke's behalf I'll give my voice,
Which, I presume, he'll take in gentle part.
Bishop Of Ely
Now in good time, here comes the duke himself.
Gloucester
My noble lords and cousins all, good morrow.
I have been long a sleeper; but, I hope,
My absence doth neglect no great designs,
Which by my presence might have been concluded.
Buckingham
Had not you come upon your cue, my lord
William Lord Hastings had pronounced your part,–
I mean, your voice,–for crowning of the king.
Gloucester
Than my Lord Hastings no man might be bolder;
His lordship knows me well, and loves me well.
Hastings
I thank your grace.
Gloucester
My lord of Ely!
Bishop Of Ely
My lord?
Gloucester
When I was last in Holborn,
I saw good strawberries in your garden there
I do beseech you send for some of them.
Bishop Of Ely
Marry, and will, my lord, with all my heart.
Gloucester
Cousin of Buckingham, a word with you.
Catesby hath sounded Hastings in our business,
And finds the testy gentleman so hot,
As he will lose his head ere give consent
His master's son, as worshipful as he terms it,
Shall lose the royalty of England's throne.
Buckingham
Withdraw you hence, my lord, I'll follow you.
Derby
We have not yet set down this day of triumph.
To-morrow, in mine opinion, is too sudden;
For I myself am not so well provided
As else I would be, were the day prolong'd.
Bishop Of Ely
Where is my lord protector? I have sent for these
strawberries.
Hastings
His grace looks cheerfully and smooth to-day;
There's some conceit or other likes him well,
When he doth bid good morrow with such a spirit.
I think there's never a man in Christendom
That can less hide his love or hate than he;
For by his face straight shall you know his heart.
Derby
What of his heart perceive you in his face
By any likelihood he show'd to-day?
Hastings
Marry, that with no man here he is offended;
For, were he, he had shown it in his looks.
Derby
I pray God he be not, I say.
Gloucester
I pray you all, tell me what they deserve
That do conspire my death with devilish plots
Of damned witchcraft, and that have prevail'd
Upon my body with their hellish charms?
Hastings
The tender love I bear your grace, my lord,
Makes me most forward in this noble presence
To doom the offenders, whatsoever they be
I say, my lord, they have deserved death.
Gloucester
Then be your eyes the witness of this ill:
See how I am bewitch'd; behold mine arm
Is, like a blasted sapling, wither'd up:
And this is Edward's wife, that monstrous witch,
Consorted with that harlot strumpet Shore,
That by their witchcraft thus have marked me.
Hastings
If they have done this thing, my gracious lord–
Gloucester
If I thou protector of this damned strumpet–
Tellest thou me of 'ifs'? Thou art a traitor:
Off with his head! Now, by Saint Paul I swear,
I will not dine until I see the same.
Lovel and Ratcliff, look that it be done:
The rest, that love me, rise and follow me.
Hastings
Woe, woe for England! not a whit for me;
For I, too fond, might have prevented this.
Stanley did dream the boar did raze his helm;
But I disdain'd it, and did scorn to fly:
Three times to-day my foot-cloth horse did stumble,
And startled, when he look'd upon the Tower,
As loath to bear me to the slaughter-house.
O, now I want the priest that spake to me:
I now repent I told the pursuivant
As 'twere triumphing at mine enemies,
How they at Pomfret bloodily were butcher'd,
And I myself secure in grace and favour.
O Margaret, Margaret, now thy heavy curse
Is lighted on poor Hastings' wretched head!
Ratcliff
Dispatch, my lord; the duke would be at dinner:
Make a short shrift; he longs to see your head.
Hastings
O momentary grace of mortal men,
Which we more hunt for than the grace of God!
Who builds his hopes in air of your good looks,
Lives like a drunken sailor on a mast,
Ready, with every nod, to tumble down
Into the fatal bowels of the deep.
Lovel
Come, come, dispatch; 'tis bootless to exclaim.
Hastings
O bloody Richard! miserable England!
I prophesy the fearful'st time to thee
That ever wretched age hath look'd upon.
Come, lead me to the block; bear him my head.
They smile at me that shortly shall be dead.
111 lines rendered verbatim from the dialogue corpus.

Who’s On Stage

Speaking characters in this scene

Character Lines Share
Hastings 49 44.1%
Gloucester 32 28.8%
Buckingham 12 10.8%
Derby 8 7.2%
Bishop Of Ely 7 6.3%
Ratcliff 2 1.8%
Lovel 1 0.9%

Line distribution

The top speaker in this scene delivers 49 lines, while the scene’s average per speaker is about 16 lines.

Total speakers on stage

7 named characters speak in this scene.

Scene in Context

Position within Act 3

This is Scene 4 of 7 in Act 3 of Richard III.

Scene length vs. play average

At 111 lines, this scene is shorter than the Richard III average scene in Richard III (~148 lines).

Adjacent scenes

Previous: Act 3 Scene 3 · Next: Act 3 Scene 5

About Act 3 Scene 4 of Richard III

Who carries Act 3 Scene 4 of Richard III?

Hastings, with 49 lines — about 44% of the scene.

Is the scene a dialogue or a solo?

With 7 speakers and the lead holding 44% of the lines, this scene is a balanced multi-voice exchange.