Measure for Measure
Written in Shakespeare’s late-period career (c. 1604), Measure for Measure is a problem play of 2,833 lines, 5 acts and 17 scenes with 26 speaking roles.
Opens (Act 1, Scene 1) — Duke Vincentio: “Of government the properties to unfold,”
Closes (Act 5, Scene 1) — Duke Vincentio: “What's yet behind, that's meet you all should know.”
Full cast of Measure for Measure by line count
| # | Character | Lines | Share | Acts | Scenes |
|---|---|---|---|---|---|
| 1 | Duke Vincentio ♂ | 851 | 30.0% | 5 | 10 |
| 2 | Isabella ♀ | 420 | 14.8% | 5 | 8 |
| 3 | Angelo ♂ | 321 | 11.3% | 4 | 6 |
| 4 | Lucio ♂ | 302 | 10.7% | 5 | 6 |
| 5 | Escalus ♂ | 188 | 6.6% | 5 | 5 |
| 6 | Provost ♂ | 163 | 5.8% | 5 | 9 |
| 7 | Pompey ♂ | 156 | 5.5% | 4 | 5 |
| 8 | Claudio ♂ | 113 | 4.0% | 3 | 3 |
| 9 | Elbow ♂ | 68 | 2.4% | 2 | 2 |
| 10 | Mariana ♀ | 68 | 2.4% | 2 | 3 |
| 11 | Friar Peter ♂ | 36 | 1.3% | 2 | 3 |
| 12 | Mistress Overdone ♀ | 29 | 1.0% | 2 | 2 |
| 13 | First Gentleman ♂ | 22 | 0.8% | 1 | 1 |
| 14 | Abhorson ♂ | 19 | 0.7% | 1 | 2 |
| 15 | Barnardine ♂ | 14 | 0.5% | 1 | 1 |
| 16 | Froth ♂ | 10 | 0.4% | 1 | 1 |
| 17 | Second Gentleman ♂ | 10 | 0.4% | 1 | 1 |
| 18 | Juliet ♀ | 10 | 0.4% | 1 | 1 |
| 19 | Francisca ♀ | 9 | 0.3% | 1 | 1 |
| 20 | Messenger ♂ | 6 | 0.2% | 1 | 1 |
| 21 | Friar Thomas ♂ | 6 | 0.2% | 1 | 1 |
| 22 | Servant ♂ | 5 | 0.2% | 1 | 2 |
| 23 | Justice ♂ | 3 | 0.1% | 1 | 1 |
| 24 | Pomphey ♂ | 2 | 0.1% | 1 | 1 |
| 25 | As Long As You Or I ♂ | 1 | 0.0% | 1 | 1 |
| …1 additional speaking roles with fewer than 1 lines | |||||
When each speaker first enters
- Act 1 — 14 new speakers enter: Duke Vincentio, Isabella, Angelo, Lucio, Escalus, Provost, Pompey, Claudio, Mistress Overdone, First Gentleman (+4 more)
- Act 2 — 7 new speakers enter: Elbow, Froth, Juliet, Servant, Justice, Pomphey, As Long As You Or I
- Act 4 — 5 new speakers enter: Mariana, Friar Peter, Abhorson, Barnardine, Messenger
Line counts act by act
| Act | Scenes | Lines | Speakers | Density |
|---|---|---|---|---|
| Act 1 | 4 | 429 | 14 | |
| Act 2 | 4 | 739 | 14 | |
| Act 3 | 2 | 553 | 9 | |
| Act 4 | 6 | 533 | 13 | |
| Act 5 | 1 | 579 | 8 |
How male and female voices share Act 1 through Act 5
| Act | Male lines | Female lines | Female share | Balance |
|---|---|---|---|---|
| Act 1 | 371 | 58 | 14% | |
| Act 2 | 557 | 182 | 25% | |
| Act 3 | 455 | 98 | 18% | |
| Act 4 | 475 | 58 | 11% | |
| Act 5 | 439 | 140 | 24% |
Female voices peak in Act 2 (25% of the act’s dialogue) and are quietest in Act 4 (11%).
Scene length across the play
Across 17 scenes: 4 very short (under 50 lines), 4 short (50–149 lines), 8 mid-length (150–299 lines), 1 long (300+ lines).
The shortest scene runs 14 lines, the longest 579 lines, with a mean of about 167 lines per scene.
Longest scenes in Measure for Measure
| Scene | Lines | Speakers |
|---|---|---|
| Act 5, Scene 1 | 579 | 8 |
| Act 3, Scene 1 | 281 | 4 |
| Act 3, Scene 2 | 272 | 7 |
| Act 2, Scene 1 | 271 | 8 |
| Act 2, Scene 2 | 222 | 5 |
Line-length signature
Of 2,833 total lines: 100% short (under 60 characters, typical of quickfire exchanges), 0% mid-length (60–180 characters), and 0% extended (over 180 characters). That makes this a fast-cut play — the text is dominated by brief exchanges and retorts.
How Measure for Measure compares to Shakespeare’s other problem plays
| Play | Year | Lines | Acts | Scenes | Speakers |
|---|---|---|---|---|---|
| Measure for Measure (this play) | c. 1604 | 2,833 | 5 | 17 | 26 |
| All's Well That Ends Well | c. 1603 | 2,925 | 5 | 23 | 24 |
| Troilus and Cressida | c. 1602 | 3,456 | 5 | 24 | 28 |
Common questions
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